Bilingual in French and English, I translate essays, articles, and other sorts of texts, primarily for arts publications (exhibition catalogues, contemporary art journals, and more).
A Brief History of Threads, exh. cat. (Paris: Maison d’Amérique Latine, 2024)
Paris, Fashion, Sports, exh. cat. Musée Galliera, (Paris: Paris-Musées, 2024)
Matta-log: Morphology of Desire, 1911-2002, (Vienna: Kunstforum Vien, 2024)
Pauline Vermare, “The Strange Passenger on the Belfast Express,” in Akihiko Okamura: The Memories of Others, exh. cat. (Paris: Atelier EXB, 2024)
Robert Capa: In the Making, exh. cat. (Paris: Atelier EXB, 20240
Marc Riboud: For the Longhaul, exh. cat., (Paris: Atelier EXB, 2023)
Guilhem Lesaffre, “Forty Shades of Black, in Des oiseaux: Kyunghee Lee, (Paris: Atelier EXB, 2023)
Louis-Philippe Dalembert, “The Country that Believed in Its Humanity,” in Bruce Gilden: Haiti, (Paris: Atelier EXB, 2023)
Woman, Life, Freedom: An Iranian Revolution, (Paris: Beaux-Arts de Paris Éditions, 2023)
Fury: Queen of the Underground, (Paris: Beaux-Arts de Paris Éditions, 2023)
François Michaud, “Abstractness of All Weight,” in The Way Is Infinite: Centennial Retrospective Exhibition of Zao Won-Ki, exh. cat. (Hangzhou: China Academy of Art Press, 2023)
Chinese Shadows: Through a Diplomatic Lens, (Tours: Jeu de Paume, 2023)
Jean-Pierre Criqui, “Robinson Photographer: Lynne Cohen’s Anti-Documents,” in Lynne Cohen: Observatories, exh. cat. MNAM/CGP, (Paris: Ateliers EXB, 2023)
Florian Ebner, “‘Message from the Interior’: The Work of Lynne Cohen Through Its Various Readings,” in Lynne Cohen: Observatories, exh. cat. MNAM/CGP, (Paris: Ateliers EXB, 2023)
Marcelline Delbecq, “Event Horizon,” in Marina Gadonneix: Laboratories, exh. cat. MNAM/CGP, (Paris: Atelier EXB, 2023)
Anne Foucault, “Decentering the Map, Decentering the Man: Geographic Spaces and ‘Mondiations’ in André Breton’s Wall,” 2023.
Reversing One’s Eyes: Arte Povera and Beyond, 1960-1975, Photography, Film, Video, exh. cat. (Paris: Jeu de Paume/BAL, 2022)
Fabrice Flahutez, “Roberto Matta: ‘Look at the Heart of the World’,” in Roberto Matta: les témoins de l’univers, exh. cat. (Zurich: Galerie Gmurzynska, 2022)
Eugène Leroy: To Paint, exh. cat., Musée d’Art moderne de la Ville de Paris, (Paris Musées, 2022)
Slavko Kopač: Shadows and Materials, Fabrice Flahutez, (ed.), (Paris: Gallimard, 2021)
Musée d’Art moderne de la Ville de Paris— Collections, Paris-Musées, 2021
Patricia Falguières, “An Die Musik: In the Society of Artworks,” in Promise Me You’ll Play: Galerie Chantal Crousel, Paris, (Dijon: les presses du réel, 2021)
Elisabeth Lebovici, “(Re)prises de vu,” in A Slow Boat to China, (Dijon: les presses du réel, 2020)
Massimiliano Mocchia di Coggiola, “The Great Someone,” Paris/LA, no. 16, (2018)
Elisabeth Lebovici, “Katharina Grosse, A Stairway to Excess,” National Gallery of Prague, January 2018; “They wanted, like Antigone,” May 2017
Anne Dressen, “Bodies,” in Medusa: Jewelry and Taboos, exh. cat. Musée d’Art moderne de la ville de Paris, May 2017
Patricia Falguières, “Unfathomable: Notes on the Museum to Come,” in Allora & Calzadilla: Echo to Artifact, exh. cat. Art Gallery of Alberta, 2016
Eric Michaud, “The New Man and the Human Machine: A Chiasmus of Modernity,” in Le Retour des ténèbres: L’imaginaire gothique depuis Frankenstein, exh. cat., Musées d’Art et d’histoire, Genève, Switzerland, 2016
Anne Dressen, “I, You, Hen, Nous, Vous, Ze,” ParisLA, no. 14 (Winter 2016)
Patricia Falguières, “After Nature,” in Gabriel Orozco: Fleurs Fantômes, Domaine Régional de Chaumont-sur-Loire/Centre d’Arts et de Nature, 2016
El Hadji Sy: Painting, Performance, Politics, Weltkulturen Museum, Frankfurt, Germany, 2015
Patricia Falguières, “Possessions,” in Julie Ault: Macho Man Tell It to My Heart, Artists Space, New York, 2014
Anne Dressen, Decorum, Paris-Musées, 2014
Sturtevant: House of Horrors, Sprengel Museum Hannover and Musée d’Art moderne de la villa de Paris, 2013
Zeng Fanzhi, Paris-Musées, 2013
Laurent Mareschal: Impossible Translations, Ashdod Museum, 2011
Julien Fronsacq; “Abraham Cruzvillegas,” in Almería, Galerie Chantal Crousel, 2010