Bilingual in French and English, I translate essays, articles, and other sorts of texts, primarily for arts publications (exhibition catalogues, contemporary art journals, and more).

  • A Brief History of Threads, exh. cat. (Paris: Maison d’Amérique Latine, 2024)

  • Paris, Fashion, Sports, exh. cat. Musée Galliera, (Paris: Paris-Musées, 2024)

  • Matta-log: Morphology of Desire, 1911-2002, (Vienna: Kunstforum Vien, 2024)

  • Pauline Vermare, “The Strange Passenger on the Belfast Express,” in Akihiko Okamura: The Memories of Others, exh. cat. (Paris: Atelier EXB, 2024)

  • Robert Capa: In the Making, exh. cat. (Paris: Atelier EXB, 20240

  • Marc Riboud: For the Longhaul, exh. cat., (Paris: Atelier EXB, 2023)

  • Guilhem Lesaffre, “Forty Shades of Black, in Des oiseaux: Kyunghee Lee, (Paris: Atelier EXB, 2023)

  • Louis-Philippe Dalembert, “The Country that Believed in Its Humanity,” in Bruce Gilden: Haiti, (Paris: Atelier EXB, 2023)

  • Woman, Life, Freedom: An Iranian Revolution, (Paris: Beaux-Arts de Paris Éditions, 2023)

  • Fury: Queen of the Underground, (Paris: Beaux-Arts de Paris Éditions, 2023)

  • François Michaud, “Abstractness of All Weight,” in The Way Is Infinite: Centennial Retrospective Exhibition of Zao Won-Ki, exh. cat. (Hangzhou: China Academy of Art Press, 2023)

  • Chinese Shadows: Through a Diplomatic Lens, (Tours: Jeu de Paume, 2023)

  • Jean-Pierre Criqui, “Robinson Photographer: Lynne Cohen’s Anti-Documents,” in Lynne Cohen: Observatories, exh. cat. MNAM/CGP, (Paris: Ateliers EXB, 2023)

  • Florian Ebner, “‘Message from the Interior’: The Work of Lynne Cohen Through Its Various Readings,” in Lynne Cohen: Observatories, exh. cat. MNAM/CGP, (Paris: Ateliers EXB, 2023)

  • Marcelline Delbecq, “Event Horizon,” in Marina Gadonneix: Laboratories, exh. cat. MNAM/CGP, (Paris: Atelier EXB, 2023)

  • Anne Foucault, “Decentering the Map, Decentering the Man: Geographic Spaces and ‘Mondiations’ in André Breton’s Wall,” 2023.

  • Reversing One’s Eyes: Arte Povera and Beyond, 1960-1975, Photography, Film, Video, exh. cat. (Paris: Jeu de Paume/BAL, 2022)

  • Fabrice Flahutez, “Roberto Matta: ‘Look at the Heart of the World’,” in Roberto Matta: les témoins de l’univers, exh. cat. (Zurich: Galerie Gmurzynska, 2022)

  • Eugène Leroy: To Paint, exh. cat., Musée d’Art moderne de la Ville de Paris, (Paris Musées, 2022)

  • Slavko Kopač: Shadows and Materials, Fabrice Flahutez, (ed.), (Paris: Gallimard, 2021)

  • Musée d’Art moderne de la Ville de Paris— Collections, Paris-Musées, 2021

  • Patricia Falguières, “An Die Musik: In the Society of Artworks,” in Promise Me You’ll Play: Galerie Chantal Crousel, Paris, (Dijon: les presses du réel, 2021)

  • Elisabeth Lebovici, “(Re)prises de vu,” in A Slow Boat to China, (Dijon: les presses du réel, 2020)

  • Massimiliano Mocchia di Coggiola, “The Great Someone,” Paris/LA, no. 16, (2018)

  • Elisabeth Lebovici, “Katharina Grosse, A Stairway to Excess,” National Gallery of Prague, January 2018; “They wanted, like Antigone,” May 2017

  • Anne Dressen, “Bodies,” in Medusa: Jewelry and Taboos, exh. cat. Musée d’Art moderne de la ville de Paris, May 2017

  • Patricia Falguières, “Unfathomable: Notes on the Museum to Come,” in Allora & Calzadilla: Echo to Artifact, exh. cat. Art Gallery of Alberta, 2016

  • Eric Michaud, “The New Man and the Human Machine: A Chiasmus of Modernity,” in Le Retour des ténèbres: L’imaginaire gothique depuis Frankenstein, exh. cat., Musées d’Art et d’histoire, Genève, Switzerland, 2016

  • Anne Dressen, “I, You, Hen, Nous, Vous, Ze,” ParisLA, no. 14 (Winter 2016)

  • Patricia Falguières, “After Nature,” in Gabriel Orozco: Fleurs Fantômes, Domaine Régional de Chaumont-sur-Loire/Centre d’Arts et de Nature, 2016

  • El Hadji Sy: Painting, Performance, Politics, Weltkulturen Museum, Frankfurt, Germany, 2015

  • Patricia Falguières, “Possessions,” in Julie Ault: Macho Man Tell It to My Heart, Artists Space, New York, 2014

  • Anne Dressen, Decorum, Paris-Musées, 2014

  • Sturtevant: House of Horrors, Sprengel Museum Hannover and Musée d’Art moderne de la villa de Paris, 2013

  • Zeng Fanzhi, Paris-Musées, 2013

  • Laurent Mareschal: Impossible Translations, Ashdod Museum, 2011

  • Julien Fronsacq; “Abraham Cruzvillegas,” in Almería, Galerie Chantal Crousel, 2010

Paul Klee, The Harbinger of Autumn, 1922, watercolor and graphite on paper, 24.3 x 31.4 cm, Yale University Art Gallery

Paul Klee, The Harbinger of Autumn, 1922, watercolor and graphite on paper, 24.3 x 31.4 cm, Yale University Art Gallery